江西财经大学学报 ›› 2014, Vol. 0 ›› Issue (06): 502-.

• • 上一篇    

革命精神在中央苏区红色设计中的呈现

包礼祥,舒小坚   

  1. (江西财经大学 艺术学院,江西 南昌 330013)
  • 发布日期:2021-01-21
  • 作者简介:包礼祥,江西财经大学教授,主要从事艺术史论等研究,联系方式baolx@jxufe.edu.cn;舒小坚,江西财经大学讲师,主要从事艺术史论研究。

Presentation of Revolutionary Spirit in the Red Design of the Central Soviet Area

BAO Li-xiang, SHU Xiao-jian   

  1. (Jiangxi University of Finance and Economics, Nanchang 330013, China)
  • Published:2021-01-21

摘要: 中央苏区的红色设计兴起于特定革命历史时期,凝聚着中国共产党人、人民群众的智慧和精神内涵。在继承与发扬巴黎公社、原苏联革命文艺的优良传统的基础上,中央苏区的红色设计创造出苏区群众喜闻乐见的新型艺术设计形式,蕴涵着坚忍不屈的民族精神与革命斗志,勤俭节约、依靠群众的优良革命传统,以“形神兼备”成为中华民族璀璨艺术的重要组成部分。

关键词: 中央苏区,红色设计,革命精神

Abstract: The red design of the Central Soviet Area sprang up during the particular revolutionary historical period, which embodied the wisdom and spiritual connotations of Chinese Communists and the masses of the people. On the basis of inheriting and carrying forward the fine tradition of revolutionary literature of the Paris Commune and the former Soviet Union, the red design of the Central Soviet Area created a new form of art design loved by the masses of the Soviet Area, which had such implications as stoic and indomitable national spirit, revolutionary fighting will, and the fine revolutionary traditions of diligent, thrift and relying on the masses. It has become an important part of Chinese national brilliant art for its unity of form and spirit.

Key words: the Central Soviet Area; red design; revolutionary spirit