江西财经大学学报 ›› 2018, Vol. 0 ›› Issue (06): 168-.

• • 上一篇    

中国传统音乐美学思想的再阐释——李贽音乐美学思想读解

王 欢   

  1. (南昌航空大学 音乐学院,江西 南昌 330063)
  • 发布日期:2021-01-21
  • 作者简介:王 欢,南昌航空大学副教授,主要从事音乐美学研究,联系方式86807264@qq.com。

Reinterpretation of Chinese Traditional Musical Aesthetic Thoughts: An Interpretation of Li Zhi’s Musical Aesthetic Thought

WANG Huan   

  1. (Nanchang Hangkong University, Nanchang 330063, China)
  • Published:2021-01-21

摘要: 李贽的音乐美学思想具有反封建、反礼教的精神,相比中国古代传统的儒、道两家的音乐美学思想,具有一定的进步性和民主精神。李贽的音乐美学思想既是对儒家礼乐思想的批判与吸纳,也是对道家自然乐论的改造和融合。将李贽音乐美学思想与儒、道音乐美学思想进行比较研究,能够使我们对中国传统音乐美学思想由“发乎情、止乎礼”“无为、平和”进而改造融合为“发乎情性、由乎自然”“以人为本、以心为本”进行再次解读和认识,并对现当代中国音乐美学的研究提供有价值的资料和崭新的视角。

关键词: 李贽,音乐美学思想,儒家音乐美学思想,道家音乐美学思想

Abstract: Li Zhi’s musical aesthetic thought has the spirit of anti-feudalism and anti-feudal rites. Compared with the ancient Chinese traditional musical aesthetic thoughts of Confucianism and Taoism, Li Zhi’s thought has certain progressive and democratic spirit. His musical aesthetic thought is not only a criticism and absorption of Confucian ritual and music thought, but also a transformation and integration of Taoist natural music theory. A comparative study of Li Zhi’s musical aesthetic thought with the Confucian and Taoist musical aesthetic thoughts can enable us to reinterpret and understand the evolution of Chinese traditional musical aesthetic thoughts from “beginning with affection, and ending with‘Li’”and“inactivity and gentleness”into“beginning with affection and character, out of nature”and“people-oriented and heart-oriented”by reformation and fusion, which can provide valuable information and a brand new perspective to study the contemporary Chinese music aesthetics.

Key words: Li Zhi; musical aesthetic thoughts; Confucian musical aesthetic thoughts; Taoist musical aesthetic thoughts