江西财经大学学报 ›› 2012, Vol. 0 ›› Issue (04): 635-.
• • 上一篇
郑 琳
发布日期:
作者简介:
ZHENG Lin
Published:
摘要: 阮籍的美学思想分前后两期,前期为浸透儒家思想之美学,后期为其晚年的儒道兼综之逍遥美学思想。后期美学思想的转向,阮籍将自然的逍遥之道形式化、审美化,以全新的眼光观照个体、放纵内情、傲物轻世、旷达不羁,给世人的审美观念以巨大的冲击,给中国文化带来了深远的影响。
关键词: 阮籍,美学思想,中国文化
Abstract: Ruan Ji’s aesthetic thinking can be divided into two periods, the early period is soaked with aesthetics of Confucianism, the latter is a combination of Confucianism, Taoism and Peripateticism in his old age. During the diversion of his aesthetic thinking in the later period, Ruan Ji formalized and aestheticized the natural Peripateticism, looking at individuals with a new vision, indulging in his inner emotions, being arrogant to look down upon the world, being broad-minded and uninhibited, having great impact on the aesthetic ideas of the world, and bringing a profound impact onto the Chinese culture.
Key words: Ruan Ji; aesthetic ideology; Chinese culture
郑 琳. 阮籍晚年美学思想的转向对中国文化的影响[J]. 江西财经大学学报, 2012, 0(04): 635-.
ZHENG Lin. The Influence of the Diversion of Ruan Ji’s Aesthetic Ideology in His Later Years on Chinese Culture[J]. Journal of Jiangxi University of Finance and Economics, 2012, 0(04): 635-.
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